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Biennial of the Americas Nonprofit Video Case Study

Posters for the Biennial of the Americas films

Biennial of the Americas connects artists, civic leaders, businesspeople and communities across the Western Hemisphere. Its annual Americas Leadership Luncheon brings many of those people into one room. The organization needed a film that could open that gathering with something more personal than an institutional overview.

Rocket House Pictures created From the Americas, a series of short documentaries built from the experiences of people who left countries across the Americas and made a home in Denver. What began as one film in 2023 became a three-part series, with new episodes commissioned in 2024 and 2025.

Each film has a distinct theme. Together, they form a growing portrait of Denver through the people shaping its cultural, civic and economic life.

“Incredibly professional and amazing, with timely deliverables!” FloraJane DiRienzo, Executive Director, Biennial of the Americas

The challenge: explain a hemispheric mission through individual lives

The Biennial works across countries, sectors and art forms. That range is one of its strengths, but it creates a communications problem. Words such as connection, exchange and collaboration can become abstract when they are separated from the people doing the work.

The Americas Leadership Luncheon needed a film that could give hundreds of guests a shared point of entry into the Biennial’s mission. It had to recognize the complexity of identity across the hemisphere while remaining focused enough to work inside a live event program.

The first episode also carried a specific responsibility. Denver hosted the inaugural Cities Summit of the Americas in 2023, and the film was produced in partnership with the City and County of Denver, the State of Colorado and the U.S. Department of State. The State Department’s record of the summit documents the policies, partnerships and city-level commitments developed during the gathering. The film needed to approach that continental context from a human scale.

The Biennial is recognized by Visit Denver as part of the city’s cultural landscape, but the organization wanted audiences to understand its work through lived experience, not reputation alone.

The approach: use mini-documentaries to make room for complexity

Rocket House Pictures proposed a mini-documentary built around a common question: What does it mean to be from the Americas?

The format allowed participants to speak in their own voices and connect personal history with larger questions about migration, identity and community. There was no narrator interpreting their experiences. Carefully prepared interviews provided the structure, and scenes filmed around Denver showed the places where each person works, creates and participates in the city.

This differs from a standard event video. An event opener may rely on fast editing, slogans and a broad organizational message. From the Americas gives participants enough time to describe where they came from, what changed after moving and how their understanding of home continues to develop.

Audience research from HubSpot and Wyzowl supports the usefulness of video for introducing an organization and explaining its work. For this project, the more important decision was the form of the video. A mini-documentary could hold contradiction, memory and humor in a way a conventional campaign film could not.

Production: one shared question, individual perspectives

The first two episodes each feature five people with roots in different parts of the Americas, and the third continues the ensemble format. The production team begins by learning about each participant before the interview. That preparation helps us ask questions tied to the person’s work, family history and experience of Denver.

The first films included civic leaders, artists and entrepreneurs such as Benny Samuels, chef Dana Rodriguez, developer Rhys Duggan, artist Charlo Garcia Walterbach, entrepreneur Lori Pace and Maria De Cambra, who was born in the United States and raised in Venezuela.

Rather than asking participants to summarize a résumé, we looked for the details that made each account specific. A remembered place, a change in language or a comparison between Denver and home often revealed more than a list of achievements.

The visual plan followed the same principle. Interviews established the central ideas. B-roll placed each person inside a recognizable environment and gave the audience time to observe. Editing then connected the five accounts without forcing them into a single version of immigrant experience.

Our broader approach to story-led video informed the structure, but these films are documentaries first. The people on screen retain their own phrasing, priorities and points of view.

The solution: three films that build on one another

Episode 1: Redefining Home

Released in 2023, Redefining Home follows five women who left their places of origin and settled in Denver. They discuss the ways relocation changed their identities and complicated the idea of home.

The first episode established the visual language and central question for the series. It also showed that the concept could connect an intimate set of interviews with the international scope of the Cities Summit.

Episode 2: Building Belonging

The second episode, released in 2024, examines belonging as an active process. Five leaders describe leaving their homelands, building lives in Denver and contributing to a city shaped by many histories.

The continued commission gave Rocket House Pictures and the Biennial an opportunity to deepen the original concept. The filmmakers could assume that returning viewers understood the central question and spend more time on the relationships, work and choices that create a sense of belonging.

Episode 3: Shaping Our Future

Released in 2025, Shaping Our Future turns toward what participants are building next. Stories of heritage and adaptation remain present, but the film asks how people from across the Americas are influencing Denver’s future through culture, leadership and community work.

The third installment confirms that From the Americas has become a continuing series rather than a one-time event film.

The impact: an annual series people want to join

What began as one film in 2023 has grown into three completed episodes, with a fourth now in production for 2026. Each installment premieres at the Americas Leadership Luncheon, giving the annual gathering a new group of voices and a continuing documentary thread.

The films continue circulating after the luncheon. The Biennial shares them through LinkedIn, Facebook, Instagram, and its other communication channels. In 2023, individual participant clips extended the first episode into a social series, including a feature on Benny Samuels. The Biennial shared the complete 2024 film after its premiere, and organizations connected to the featured participants shared it with their own audiences. The Colorado Department of Local Affairs, for example, highlighted Maria De Cambra’s appearance.

The response has also helped shape future episodes. People have expressed interest in being featured, and community members regularly suggest leaders, artists, and entrepreneurs whose stories could become part of the series. That participation gives the Biennial a growing pool of prospective subjects and keeps the project connected to the communities it represents.

From the Americas now serves several parts of the Biennial’s work at once. It opens the organization’s signature leadership gathering, creates material for months of social posts, introduces featured participants to new audiences, and records the people influencing Denver during each year of the series.

The continued partnership reflects the Biennial’s experience with both the production process and the finished films. As FloraJane DiRienzo wrote in her review of Rocket House Pictures, the team delivered on time, coordinated closely with Biennial staff, and created work that led the organization to plan future projects with Rocket House.

Incredibly professional and amazing, timely deliverables! Thank you to Gio for coordinating with our team to create the most wonderful productions. The team at Rocket House Pictures is prompt, efficient, and wonderfully creative. We look forward to working with them in the future. --- Biennial of the Americas

What this series taught us about documentary work for nonprofits

A nonprofit does not always need a film that explains every program. One carefully chosen question can reveal the mission through the people already living it.

A repeatable concept also gives an organization room to grow. The structure of From the Americas remains recognizable from episode to episode, while the participants and annual theme keep each film distinct. Viewers can enter through any episode, and returning viewers can see how the conversation changes over time.

For Rocket House Pictures, the series is an example of documentary production for nonprofits and organizations: research the people, listen closely, film them in context and build the edit around what they actually say.

Explore more of Rocket House Pictures’ nonprofit video work, or contact us to discuss a mini-documentary, fundraising film or multi-year video series.

Gio Toninelo is the founder, producer, and cinematographer at Rocket House Pictures.

Based in Denver, Gio and his team specialize in creating compelling, impactful videos that elevate brands, organizations, and causes.

We make videos that matter.